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Gaspard Augé’s debut album ‘Escapades’ is a bombastic ode to the past
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Bicep live review: The Northern Irish duo dazzle at Manchester’s Mayfield Depot
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Streams
LCD Soundsystem live review: Murphy & Co dazzle at the LA Palladium
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Review: Oliver ‘Full Circle’
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Danger ‘太鼓 (Taiko)’ review: 10 years in the making
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Ed Rec 100 Review: Ed Banger Records celebrates 14 years at the forefront of artistic freedom
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Soulwax live review: 2 Many Drummers
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Review: Jamiroquai ‘Automaton’
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Review: Joakim delivers his most restrained long-play to date with ‘Samurai’
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Review: Trooko’s ‘True Work’ EP is sun-kissed filtered house
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Review: Vitalic delivers another fiendishly fun-filled full-length with ‘Voyager’
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Review: ‘Woman’ is the Justice album we’ve all been waiting for
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Psychemagik’s ‘Ritual Chants’ is 3 CDs of crate-digger’s gold
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Review: Sample Magic’s latest plug-in, Stacker, is a must-own for producers
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Breakbot finally delivers an album worthy of his considerable talents with ‘Still Waters’
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Bromance Records delivers a near-perfect compilation with ‘Homieland Vol.2’
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Rüfüs’ sophomore album ‘Bloom’ is bloomin’ amazing
Premieres
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Premiere: Jupiter gets the remix treatment from Dombrance and Bumblee
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50 Weapons finale at the Warehouse Project: Raving in the face of tyranny
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Foxtrott combines barbed synth pop with jagged electro for her debut album, ‘A Taller Us’
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French Horn Rebellion aren’t Foolin’ Around with their new EP
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Review: Sample Magic’s Bloq delivers authentic vintage sounds on a shoestring budget
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Review: Raumfeld’s multi-room speakers deliver retro looks alongside stunning sound
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LeBreton ‘Kollabo’ Review
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